Monday, March 19, 2012

You Need Glasses Mate

Friday was a day off, as I mentioned in my post that day. It was also the day that Whole Foods did a half price special on growler fills. Not wanting to get stuck in a queue I decided to get along early to fill a couple of my growlers with delights for the weekend, thus is was that I walked out with a couple of litres of Victory Prima Pils and Potter's Craft Cider. The Pils was bascially the best beer available, pretty much everything was "Belgian" or a beer with added "flavour" like apricot or cocoa, and Mrs Velkyal likes cider so I figured I's get her a treat, old romantic that I am.

I didn't originally have any special plans for the Pils, but whilst wandering around the shops yesterday I decided to do a taste comparison that I have been meaning to do for a while now, 1 beer, 6 glasses. From my cupboard I pulled an American pint glass, a nonic, a classic Chodovar Czech beer glass, a Chimay chalice, a snifter and my Lovibonds fluted half pint.


For some reason, people make a big song and dance about glassware, that certain types of glass are better for various beer styles, that beer should be served in the correctly branded glass and so on an so forth. Admittedly I am something of a glassware philistine, the only thing I object to is a frosted glass, it just shouldn't be done. Anyway, with an open mind and Mrs Velkyal saying that she thought the main difference would be in the aroma stakes, I spent a couple of hours emptying the growler into the various glasses in the pictures below and taking notes.







From a visual perspective the only variant in the 6 glasses was that the chalice didn't hold the head very well, the other 5 had nice rocky heads which lingered for the duration of drinking, but in the chalice it dissipated quickly.

As Mrs Velkyal had expected, the different glasses had an impact on the intensity of the aroma of the beer. In each glass, other again than the chalice, I could smell varying degrees of graininess, lemony citrus and grass, though it was most noticeable in the Lovibond's half pint and the Chodovar glasses. In terms of taste, there was hardly any noticeable difference between the glasses.

Purely on the basis of this experiment then, I would say that a slightly fluted glass, as both the Lovibond's and Chodovar glasses are is best suited to a German style pilsner, though I have to admit that in the context of drinking in a pub, I don't think the additional aroma would really be all that much of a big deal, and that is an important thing for me. When I am in the pub, playing pool, talking with friends and having a drink, I really don't care about identifying every trace of aroma, swirling my beer in a glass like some wine snob and pontificating on about traces of burnt gimp suit and strawberry, or whatever Jilly Goulden's latest taste sensation is.

Perhaps though a subtle, clean, crisp lager is the wrong beer for this kind of experiment? So I will re-hash it sometime with a nice stout, or maybe even an IPA such as the 100% Fuggle hopped one from St George Brewing. As it stands though I am still not convinced that different styles of glass make that much of a difference to the experience of drinking a beer, though as a marketing and brand tool they are superb.

Friday, March 16, 2012

Take Time for Design

Today I am unemployed, though come Monday I will be employed again. Yesterday was my last day working for Convoy, a graphic design company here in Charlottesville, Monday will be my first day at Silverchair, a software company about 2 blocks up the street from Convoy.


No longer working in the graphic design world means I can finally talk about design for breweries without having to declare a vested interest. It was a couple of years ago that I wrote about the abysmal state of many a brewery's website, and design assets in general, as well as posting about those that get it right.


Have things improved in the 25 months since that pair of posts? In some respects yes, but I still wonder how many breweries and brewpubs out there are neglecting their website and other design elements such as logos, labels and the like?


Clearly the bigger "craft" breweries generally do a good job, Samuel Adams redesigned their website last year sometime. I think it is much improved on the previous iteration, particularly for finding details of their beers and the fact that they are not using Flash anywhere on the site. The same can not be said of Sierra Nevada though, the basic structure and design of the site has not changed since we moved to the States in 2009, though thankfully Flash is also a thing of the past on their website.


Unfortunately there are still too many breweries with websites which are nothing more than a riot of colour, fonts that look like they fell straight off Jimmy Carter's desk just after legalising homebrewing and information which is haphazardly "organised".


Recently I got my hands on the business start up plan for a brewery startup here in Virginia and whilst going through the numbers, one thing jumped out at me, there was no planning whatsoever for brand design, whether logo, labels or website. Perhaps I am being crazy here, but who in their right mind commits potentially hundreds of thousands of dollars to creating a brewery but not a penny to creating their brand and making their beers stand out on the retail shelf, whether physical or virtual?


Yes, good design is expensive but how much more expensive is it in the long run to have your beer ignored on the shelves because of amateurish design?


* all the pictures are examples of beer related design that I like, and that last one was done by my friend Rob of Opta Design in Prague for my LimeLight homebrew.

Wednesday, March 14, 2012

The Lion Sleeps Tonight

Bottling beer at half six in the morning is a challenge, especially when you have to get out to your penultimate day of your current job by quarter to eight. Thankfully though, I now have 19 bottles of 5.6% abv Černý Lev (that's "Black Lion" for the non-Czech speakers among you) happily conditioning. My normal batch yields a case of 24 bottles, but I only had 19 caps (note to self: check these things first) so I used a mixture of 22oz bottles and the 12oz ones to make sure I only lost about half a bottle's worth of beer.


A quick reminder, Černý Lev is a 14º Czech style dark lager, or tmavé. I based the recipe on the one I designed for the Morana Dark Lager brewed at Devils Backbone last year, which was itself the product of months of research in Czech, Slovak and German, talking to various brewers and using the malts at hand in the US to create something which I thought was very close to my ideal tmavé, the 14º Tmavé Speciální from Kout na Šumavě.


Having brewed the beer back in January, it spent 35 days in my somewhat less than technically magnificent lagering tank, basically a two and half gallon water bottle, sanitised and slotted into the back of the fridge to sit at near freezing point. Now it will sit at room temperature for at least a week to carbonate before being put in the cellar for at least another 5 weeks - I really don't want to rush this one, even though when I tasted the sample I liked what was there...

Monday, March 12, 2012

Revelations

5 beers that made me think differently about beer:


Bishop's Finger, the beer that got me started.


O'Hara's Stout - still my favourite stout, decent on nitro, a dream bottled.


Kout's 18 degree dark lager - the perfect end to many a session in Prague, dark lager is not just for the ladies you know!


Schlenkerla Marzen.....mmmmm rauchbier


Devils Backbone Trukker Ur-Pils, Americans can, and do, make good pilsners, it's just difficult to find them sometimes.

Wednesday, March 7, 2012

Adult Beverage O'Clock?

Last night I went for a drink. On Saturday afternoon I sat down, having spent most of the day house hunting, and had a drink. On Sunday I served beer to a steady stream of visitors to the Starr Hill Brewing Company. This weekend, I might go for a drink or I might not. Safe to say though I enjoy going for or having a drink.


Now read that paragraph again, but substitute the words "drink" and "beer" with the term "adult beverage":

"Last night I went for an adult beverage. On Saturday afternoon I sat down, having spent most of the day house hunting, and had an adult beverage. On Sunday I served adult beverages to a steady stream of visitors to the Starr Hill Brewing Company. This weekend, I might go for an adult beverage or I might not. Safe to say though I enjoy going for or having an adult beverage".


Ridiculous isn't it? The fact that I bought a beer in a pub in a country where you get asked for ID if you have less than 45% gray hair coverage kind of suggests I qualify for the legal definition of an adult. On top of that, the cultural convention of both my home country and the country in which I live is that "going for a drink" suggests "going for alcohol", I am yet to meet anyone who when asked that most convivial of questions "fancy a drink?" has reacted with glee at the thought of going to a diner for a milkshake.


Quite where this daft term has come from is beyond me, though perhaps if I am being cynical it is an attempt to put the drinking of beer, wine and spirits on a moral par with buying girly mags and having an interest in sex that goes beyond procreation and the missionary position. To put it another way, calling beer an "adult beverage" is to equate it with an immoral lifestyle. What's next? Are pubs and restaurants going to have to re-brand as "adult beverage emporia", complete with the frosted windows of a bookmakers in order to protect the innocent from seeing what goes on in such dens of iniquity? Will breweries, wineries and distilleries suddenly become "adult beverage factories"? Will the drunk sat on the park bench become an "adult beverage addict"?

I can kind of see the messed up logic behind the term, after all you have to be an adult in order to purchase beer, even if the definition of "adult" means you can die on the battlefield at 18 but you can't enjoy a case of beer if you survive said battlefield. Having a comprehensible logic though doesn't make the term useful in any meaningful sense.

To put it bluntly. Beer? Yes. Wine? Sure. Whisky? You bet. Adult beverage? Bugger off.

Monday, March 5, 2012

Love the Brethren

As you most likely know, I lived in Prague for ten years before moving over to the States in 2009. During that decade, I made it home to Scotland all of 4 times, the last trip being in 2005. Those were the days of drinking the smoothflow ales I wrote about a few posts ago, although I also managed to develop a taste for Fraoch. I enjoyed it because had the flavours that I liked in an ale coupled with the drinkability of a lager.


Coming closer to the present, I have been on something of a William Bros Brewing jag of late. During my trip to Wine Warehouse, where I picked up the cans for the smoothflow tasting, I also got a couple of bottles of their Heavy and Midnight Sun porter as well as a new beer for me, Scottish Session.

I have long liked the Heavy, which I believe in the UK is known as 80/-, it's deep russet colour and fluffy white head reminding me of drinking with friends on the Byers Road in Glasgow on the way from Birmingham when I was a student. Aromas of toffee, cocoa and a little grassiness with flavours of caramel nicely balanced with a delicate bitterness and only 4.2% abv, making it insanely drinkable. Likewise with the inky blackness of Midnight Sun, a porter brewed with ginger. Lots of roasty aromas and flavours abound, with a spicy zing in the finish. It's fair to say that I had great expectations for the Session.

I was not to be disappointed, and admittedly I was thrilled to see the abv was "only" 3.9%. Thrilled because I actually enjoy drinking beer rather than needing an age to get through a single 12oz bottle of something stronger. The Session, which I think is called "Gold" in the UK,  is described as a golden ale, and if I hadn't read the label I would have thought is was a lager, pale golden topped off with a firm white head. The nose has lots of spice, earth, hay and a touch of grain in the background. The taste is a riot of malty complexity with a very firm hop bite and lots of fruity flavours, the finish is clean, crisp and distinctly lageresque. Suffice to say I loved this beer straight off the bat, and was back at Wine Warehouse a week later to get more.

On Friday I swung by Beer Run in the hope of getting some altbier to compare my homebrew version with something commercial, but they didn't have any so I picked up some other stuff, including their Joker IPA. My introduction to Joker came when Beer Run had it on cask, and what a delight it was. The bottled version is just as good, packing a hefty hop punch but with a solid malty backbone and a mouthfeel that suggested the silkiness of a touch of oats in the grist, this is just lovely, lovely beer.

I can see this Williams Bros jag carrying on for quite some time to be honest. Packed with flavour and balanced beautifully for drinkability rather than sensory abuse, the guys in Alloa are getting things right and are, in my as ever unhumble opinion, probably brewing the best Scottish beers that are available in the States right now.

Friday, March 2, 2012

Local? Really?


One of my infrequent jaunts into the world of The Session today, the theme for which is "local beer" and is hosted by Matt over at Hoosier Beer Geek.

I like to support my local breweries, especially people such as Devils Backbone, Starr Hill and Blue Mountain Brewery. I am not a fan of South Street Brewery in the centre of Charlottesville, and I am yet to get out to Wild Wolf. However, is there a distinction between local breweries and local beer?

My problem with the term "local beer" is that so often the ingredients being used by "local breweries" are anything but local. Malts come from Canada, the UK, Belgium and sometimes Germany, hops likewise come from a raft of countries, including the latest craze for Antipodean hops. Yeast is sourced from multinational companies with libraries of strains again spanning the globe. Want to brew a witbier? No problem, order a Belgian yeast specifically for use in witbiers, use the Weihenstephan strain for making a German hefeweizen, Nottingham for an English ale, or even Prague's Staropramen for making that Bohemian pilsner you've been dreaming about.

That pretty much leaves the water as the only genuinely local element of a beer, but how many breweries strip their water of all the minerals and salts which make regional water a driving force in the history of developing beer styles and then add back the required minerals for a particular style? Imagine London and Dublin had soft water instead of hard, porter and it's offspring, stout, would likely be very different beers. For decades after Josef Groll developed the Pilsner style of pale lager, the brewers of Munich struggled to create a pale beer using the Munich water, until Spaten cracked it in the 1890s.

So when a brewery adds foreign malts and foreign hops to a stripped out water source, modified to mimic the water from Burton, Dublin or Plzeň, and ferments the resultant wort with a foreign yeast strain, can you in all honesty call that beer "local"? Sure it might be "craft", whatever that pointless term means, but let's not get misty eyed and romantic and think of it as local beer.

In Praise of Utah Beer Law

I spent last week in Utah. The organisation I work for was exhibiting at the annual conference of the Society of Economic Geologists, so I w...